Eda Opina,
Mary Joy P. Dillera-Prejoles,
Rowena D. Jaber,
Sheila Mae N. Bojos,
Darlene Angelica Loquias,
Glory Mae O. Cadiz,
Roland A. Niez, Biliran
Abstract:
This study explores how Edith Tiempo constructs meaning in her poetry through morphological linearity. This
refers to the arrangement of morphemes, the building blocks of words. Analyzing six poems, it reveals Tiempo's
skillful manipulation of free and bound morphemes within content words (nouns, verbs, adjectives, and
adverbs). Each poem exemplifies how the poet uses affixation to achieve specific effects and create richness.
Employing qualitative research design, with specific utilization of linguistic analytical description focusing on
the meticulous examination of the morphological structures within content words, the findings demonstrate
Tiempo's mastery of language. By strategically deploying morphological linearity, she crafts impactful
expressions through the interplay of meaning within morphemes. This study further suggests her poems hold
value as educational tools, offering examples for teaching grammatical concepts. It also recommends
expanding a proposed monograph on content word morphology to encompass a wider range of literature,
fostering a deeper appreciation for language and poetic artistry.
Keywords: Deconstruction, Morphology, Morphological Analysis, Content Words, Edith Tiempo
1. Journal Description 2. Select Journal a. Declaration of Originality b. Select the Journal c. Paper Formatting d. Initial Manuscript Submission e. Peer Review Process f. Manuscript Revision g. Editing Services h. Final Manuscript Submission i. Acknowledgement to Publish j. Copyright Matters k. Inhouse Publication